Submissions are open for Volume 19, 2021: "Empathy and Entropy"
Windward Review is seeking quality works of creative writing in all genres--fiction, poetry, creative non-fiction, flash fiction, or hybrid genre writing. We also review art and art collections. In this volume, we are exploring the human quality of empathy, the known vs. the unknown, and meaning vs. senselessness. We also want to draw attention to conversations related to chaos, disorder, and making meaning from senselessness. Writers are welcomed to explore personal, local, or world-level themes. We seek to include a broad range of styles, genres, emotions, and sub-topics. This is a broad/ intersectional theme, and writers should be able to submit work that they did not write specifically in pursuit of this theme. However, the pieces we select to publish will have something important and unforgettable to say about Empathy and Entropy. Our final product, we hope, will tell a revealing story about how Empathy and Entropy are related to by a broad spectrum of writers. |
FROM THE EDITOR: ENTROPY, AN IMPULSE It is a fundamental law that our universe is driven towards greater and greater Entropy, where Entropy can be understood as “disorder." In an analogy, it is much easier to destroy a fine sculpture and turn it into dust than it is to create the fine sculpture in the first place. This is because the fine sculpture was bound, by the sculptor, into a very specific state, through countless hours of inspired work. Then, in destroying the sculpture, using a hammer for instance, one has made the awe-inspiring and ornate work of art, into an unintelligent and uniform pile of dust. How is this connected with Empathy? It can be said that "disorder" is essentially a lack of pattern, meaning, or sense (all qualities lost by destroying the fine sculpture, for example). Thus, Entropy (and its favor) ensures that our interpretations, meanings, and art will always be short-lived. At the same time, our ability to detect “meanings” and “order” is limited by our knowledge as a species. Could it be that there is indeed meaning in chaos, but we are just unable to grasp it? Can Empathy help us with our universe’s love affair with Entropy? Can Empathy allow us to take back power, entrusting others with “Meaning” when there is no other rational meaning to be had? |
What are the submission guidelines?
All work must be original and unpublished. Work can be “published” informally through social media accounts, etc., but please remove the work from the internet while we consider it for publication. This helps to ensure that there is no confusion regarding publication rights. (You are permitted to share the work on social media after we publish it, if it is accepted.)
We accept simultaneous submissions, but please let us know if the work in your submission becomes no longer available.
Submit your work as an attachment to thewindwardreview@gmail.com.
Submitting Prose
Contact for questions: thewindwardreview@gmail.com or zoeeliseramos@gmail.com
We accept simultaneous submissions, but please let us know if the work in your submission becomes no longer available.
Submit your work as an attachment to thewindwardreview@gmail.com.
- We prefer Word documents, but PDF is also acceptable. Personal information should not appear anywhere on the attached document(s).
- Your subject line should include “Submission” followed by the genre in which you are submitting (i.e. poetry, fiction).
- The body of the email should include your name, and the listed title(s) of your work(s)
- ***If you include images in your submission document(s), we assume these are meant to be considered with the rest of the submission, but please let us know if the images are optional
- If the artwork is created by a separate artist, they will be considered a submitter as well
- A partner artist does not have to submit an artist statement, but we will need their email address, name, mailing address, and bio included in your submission email
Submitting Prose
- We suggest 12 point Times New Roman font with 1 in. margins on all sides, with titles centered at the top of the first page
- Writing should be generally free of typographical and grammatical errors
- Maximum length of 5,000 words (approximately) – word count should be included in the body of your email when possible
- You may submit more than one piece, but we typically only accept one long fiction piece per submission. Though we may accept more than one smaller/ medium length pieces of fiction (see directions below regarding micro fiction).
- You may submit up to 5 works. We recommend 12 point font and Times New Roman
- Multiple poetry submissions should be included in a single document, with each poem on a new, titled page
- Writing should be generally free of typographical and grammatical errors
- We consider art and art collections in any medium. Visual poetry is also considered.
- You may submit up to 5 pieces, not including alternative visuals of the same piece. Our preferred presentation style is to showcase a collection of work from a single artist, so please be sure that your pieces compliment one another.
- Our ability to review your work is contingent upon the quality of photos/ scanned documents that you send us. That said, please let us know if a lack of photography resources is an inhibiting factor for you.
- Please provide an Artist’s Statement to compliment your work/ collection, unless you believe that you work must absolutely speak for itself.
- This statement should help us to understand the impulse behind your work and enrich our appreciation of it, as well as connect it to our theme more explicitly.
- There is no minimum or maximum word count on the Statement. Also, we may choose to print it next to your artwork, unless you prefer us not to.
Contact for questions: thewindwardreview@gmail.com or zoeeliseramos@gmail.com